Monday, January 14, 2019
Classical Music Criticism and Judgment Essay
Classical harmony is 1 kind of the art symphony from respective(a) style of medicament. On Oxford Dictionary give the meaning of spotless medicine as serious music following long-established principles rather than a folk, jazz, or popular tradition, and even give more specific wholey meaning by the blockage of music(since the music has 6 periods middle age, renaissance, baroque, classic, romantic and contemporary) that classical music is the music written in the European tradition during a period lasting approximately from 1750 to 1830, when forms such as the symphony, concerto, and sonata were standardized.How do we stress the classical music, and what is the musical value of classical music? I think this is the stark thing to critics about the nice or bad of the things that we call it as peerless kind of art. We could analyze music by their elements such as the musical form, the harmony, the rhythm, orchestration, register of that piece etc.But also the problems is every one has distinguishable taste and also some have the same taste alike such as one composer love the way plethoric concord run to sub median(a) chord and then resolve to dominant again then end with tonic chord but other one like the way to begin the phrase with sub median then dominant for two bars to extend the dominant longstanding (could call it as dominant prolongation) until tonic in the last bar. The motion is what is the go around chord progression of those two ideas? , and how do we evaluator what is the best chord progression? And interesting research is how do we appraise that one piece copy from any other pieces?Another example is if we venture one of the phrases in symphony no. 9 by van Beethoven Ode to Joy as the best phrase that compound with many good melodies, best chord progression and orchestration and great idea to bring choir to that movement but there is also a question that who judge that this phrase is the best. How do they judge? , and what is the material that they use to judge this kind of classical music to make it the best of Beethovens pieces? The Best music in all kind of area not only includes by best music by creativity composers but also has to have best finishers that canister perform the best performances likewise.In classical music the performers have to do analyze and interpretation the music that they provide perform, have to know the period of that music so they could converge as the style of each period, have to practice in the decently way to gain more techniques to their muscles to control their musical instrument, have to perform as natural as possible like they are speaking, eat or walking. The best performers have to bring all emotions and energy from the music that is just a music note on the paper to fix their audiences heart. The problems are what is the best performance? , and how do we judge the performance?As a classical guitarist I used to compete in one competition. All juries have to fill in the form for all competitors there topics are Technique, Dynamics, Balancing, Precision and Rhythm, Style and Expression, and Stage Performance. Maybe those topics could judge the best performance but the problem I could see was one song that I performed called Marleys Ghost by Andrew York the main set out of first section was the melody on the bass line. One of control panel wrote on the Balancing blog that I played too brazen but another on said I played too soft so I got the question that who is correct?This could show that it is threatening to judge the best performance. It is depend on what do you like? What is your tint? What are the things that you used to experiences. At last the way we critic and judge classical music could be judge from both tincture of pieces and the quality of performance. The performers should know the aesthetic of composers who composed the songs that they will perform so they can perform in the way right way from performers interpretatio n. And definitely the listeners will judge it by their experience and feeling.
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